“We know that a thing is to work with many different colors and work with a single color. If you must hold together many colors come the problems of the relationship between different amounts of surface color and the presence of the secret dynamics that inevitably colors causes in the area. Drawing with the color becomes a complicated task but also liberating: you can leave the structures of the coordinate axes, and can pursue new structures dictated by the color and continues in a new dynamic. ” Ettore Sottsass Milan